Photographer Spotlight: Nathan Boyce
Behind every photograph is a way of seeing — a rhythm of thought, emotion, and light. Photographer Spotlight is a continuing series from The Monochrome Collective, featuring conversations with photographers who use their craft to explore the world in shades of black and white.
Each interview delves into the artist’s artistic style, creative process and the inspiration that shapes their work. From quiet studies of everyday life to ambitious documentary projects, these voices remind us that photography is not just about what is seen — but about how we choose to see.
Through these spotlights, we celebrate the diversity of vision within our community — the subtle, the bold, and the deeply personal — illuminating the artistry that connects us all.
Here is our interview:
Artistic Style
What draws you to photography?
It’s been a way for me to be more present. I’m naturally observant, and photography gives me a reason to slow down and actually look at what’s around me — especially in places I’d usually overlook. I’ve always liked documenting things, but a few years back I had a moment that really reignited something in me.
My grandad had dementia and passed away some time ago. On what would’ve been his birthday, my aunt posted a black and white photo of him washing his car — something he did every Saturday, without fail. I could instantly tell it wasn’t a family photo. It had so much character. I couldn’t stop thinking about it and eventually tracked down the photographer — Nick Hedges — who’d taken it in the ‘60s as part of a report for the Home Office. He kindly sent me both the original shots. It was the first time a photo ever “spoke” to me in that way — like I could feel it. That moment really left an impression. Sadly, Nick passed away not long after. But it was a turning point for me. That feeling is something I now try to capture in my own work.
How would you describe your style in three words?
Candid. Grounded. Observational.
What subjects or scenes are you most drawn to?
Candid moments. Strangers, streets, stillness. But also everyday life — family stuff, exploring new places with my kids, or just walking around Birmingham and the Black Country. I like catching scenes that feel calm even when life is happening around them.
Is there a story behind your favorite photo?
One of my favourites is actually of my daughter - we were at the Bullring in Birmingham, and she just started randomly doing these cartwheels. There is a series of 3 photos, slightly overexposed where you can just make out this ball of energy - sums her up perfectly!
What emotions do you try to capture in your work?
Stillness, mostly. But also curiosity and sometimes nostalgia — not in an overly romantic way, just small glimpses of people or places that make you pause and wonder about their story.
Creative Process
What gear do you shoot with?
Mostly Fujifilm compacts — I’m currently loving the Fujifilm XHalf. I pretty much live in cargo shorts so I always have it with me! I'm a firm believer that the best camera is the one you have with you. I only shoot in black and white, so I tend to use the Acros film sim with filters straight in camera.
How much do you plan vs. shoot spontaneously?
Almost everything is spontaneous. I rarely set out with a specific shot in mind. I just walk — usually early in the morning or during quiet moments — and let things unfold. It’s more about noticing than planning.
What’s one editing tool or trick that you use?
Most of the editing happens in-camera. I like the idea of treating each outing like a roll of film — especially now I can do that with the XHalf. I frame carefully and don’t overshoot. Keeps me honest.
Film or digital — and why?
Digital — but strictly black and white. I shoot mainly using Acros with a colour filter to stay focused on light and shape rather than colour. That said, I’ve just bought a Yashica Minister III 35mm rangefinder, so I’m planning to experiment with actual black and white film very soon.
What’s something you’re currently working on improving?
I’m trying to get better at waiting — letting people or details naturally fall into frame rather than rushing the shot. Also revisiting familiar places to look at them with fresh eyes.
Inspiration
Who or what inspires your photography?
My family, definitely. My kids, holidays, just everyday life. But also my roots — I’m proud of being third-generation Bajan, growing up in the Black Country. There’s beauty in the industrial surroundings I grew up around. Knowing that even a moment like my grandad washing his car was seen as worth documenting motivates me to do the same for others — even strangers.
Any photographers or artists that influenced your style?
Definitely Nick Hedges and Brian Homer — both West Midlands-based and brilliant at capturing honest, everyday life. Eduardo Ortiz, Andre D. Wagner, and Vanley Burke too — especially his book By the Rivers of Birminam. Craig Whitehead (@sixstreetunder) helped me think more intentionally about framing.
And I’ve taken a lot of inspiration from Paulie B’s Walkie Talkie YouTube series. Some standout interviews that stuck with me were with Cat Byrnes, Martha Cooper, Jas Leon, and Kazu Nakajima — their perspectives really shaped how I think.
What’s one non-photography source that fuels your creativity
Walking — especially early, when it’s just me and the camera. No music, no phone. That quiet helps me see more clearly.I go on photo walks with my seven year old daughter too. She loves to talk, and it's so enlightening to the vision behind her photos.
Also, Japanese manga — maybe a surprising one, but I’ve always been drawn to the visuals. The way manga panels use black and white, strong contrast, and bold lines to tell a story... it’s had a real impact on how I shoot. It’s minimal but expressive — something I try to reflect in my photos.
If you would like to see more of Nathans work you can find him on foto @boycephotography.