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  • Photographer Spotlight: Paul Hillerich

    Photographer Spotlight: Paul Hillerich

    Paul Hillerich’s photography changed on a solo journey through Nepal, though he only understood why once he converted the frames to black and white. His project FARB|LOSIGKEIT is built on leaving space for the viewer.

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  • Ricoh Put Solarization Into the GR IV Monochrome

    Ricoh Put Solarization Into the GR IV Monochrome

    Ricoh’s firmware update on 21 October gave the GR IV Monochrome an in camera Solarized Effect that none of the color cameras received. The 30th Anniversary Edition kit arrived the same week, limited to 6,000 units worldwide.

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  • Watch Their Eyes, Not Their Words

    Watch Their Eyes, Not Their Words

    Canon tracked three people looking at one print and buried the useful finding. Learning to photograph does not sharpen your attention so much as move it, away from where your audience is actually looking.

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  • Leica and Formula 1 Made a $9,950 Q3 43

    Leica and Formula 1 Made a $9,950 Q3 43

    The Formula 1 Edition of the Q3 43 costs $2,000 more than the standard camera. The sensor, the lens and the autofocus are identical, so what you are buying is carbon fiber and a color preset.

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  • Behind The Shot With David Mullin

    Behind The Shot With David Mullin

    David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of whether he could still make photographs for himself rather than for the platforms.

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  • Nothing Is Best Everything Is a Trade

    Nothing Is Best Everything Is a Trade

    Best camera, best lens, best tips, best photograph of the year. The word is not subjective so much as unfinished, and finishing the sentence changes what you ask for.

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  • The Pictorialists Were Staging Theatre

    The Pictorialists Were Staging Theatre

    A new show in Santa Barbara argues the Pictorialists were not imitating painting so much as directing performances, with models, costumes and built sets.

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  • Ansel Adams Was Fifty Five Years Late And Why It Matters

    Ansel Adams Was Fifty Five Years Late And Why It Matters

    Carleton Watkins photographed Yosemite in 1861. Ansel Adams arrived fifty five years later and nobody told him the valley had been done. Why it has been done is the laziest judgement in photography.

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  • The Collective Eye No. 9

    The Collective Eye No. 9

    Every week we feature one photograph from the Collective and invite honest feedback from the community. No names attached, no backstory beyond what the photographer was trying to achieve. Just the image, open for genuine critique.

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  • A Photo Story: The First City in the Americas

    A Photo Story: The First City in the Americas

    Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in his own words, and why the old stone kept pulling him to black and white.

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