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Where photographers who shoot in black and white come to learn, share and grow

  • If It Doesn’t Work in Two Tones, It Won’t Work in a Hundred

    If It Doesn’t Work in Two Tones, It Won’t Work in a Hundred

    Seeing in tone gets easier when we stop trying to see every gray at once. Notan, an idea from Japanese art that was taught to American photographers a century ago, starts with just two.

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  • The PEN Is Back, and It Has a Switch Marked Mono

    The PEN Is Back, and It Has a Switch Marked Mono

    OM System has revived the PEN with a rangefinder body, a built in viewfinder and a switch on the front marked Color and Mono. Here is what it offers black and white shooters, and where it falls short.

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  • A Centuries Old Technique For Photographers

    A Centuries Old Technique For Photographers

    Long before anyone pointed a camera at anything, painters were already proving that color was not required to create convincing depth, weight, or emotional force. Grisaille, the centuries old technique of painting entirely in shades of gray, has a lot to teach anyone working in black and white today.

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  • Apple Put a Real Aperture Inside a Phone

    Apple Put a Real Aperture Inside a Phone

    Phones have faked depth of field for years. The iPhone 18 Pro has six metal blades that actually move, and for once the choice about how much of the frame is sharp is yours.

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  • Behind The shot With Mark Archibald

    Behind The shot With Mark Archibald

    Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm near his home. When near whiteout conditions hit instead, wind whipping snow until sky and farmland became indistinguishable, he drove out before the roads got too bad, hoping a photograph could actually convey…

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  • The Myth of Photographic Truth

    The Myth of Photographic Truth

    When photography was invented, it was received as something radically different from painting, a mechanical, objective record of reality rather than an interpreted one. That belief was flawed from nearly the very beginning. Here is the real history of photographic truth, and how far we have actually strayed from it.

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  • Weekly News Roundup

    Weekly News Roundup

    A solid week for gear news specifically. Fujifilm delivers a serious new super telephoto prime, OM System teases what looks like a new Pen camera, Pentax’s last DSLR quietly disappears from Japanese retailers, Westcott announces a genuinely clever collapsible cart, Metabones returns with refreshed adapters, and a Japanese retailer tests one of the strangest lenses…

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  • Photographer Spotlight: Kayleigh Morin

    Photographer Spotlight: Kayleigh Morin

    Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing others, and a lifelong love of fashion pulled her toward it as a genre. Her black and white work leans into high contrast, a deliberate choice she says mirrors her own emotional range.…

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  • The Color Tool Every Black and White Photographer Should Be Using

    The Color Tool Every Black and White Photographer Should Be Using

    A color editing tool for black and white photography sounds like a contradiction. It is not. It is one of the most precise, powerful ways to expand tonal separation in a monochrome image, and it is closer to traditional darkroom craft than most photographers realize.

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  • What Actually Makes an Image Feel Three Dimensional

    What Actually Makes an Image Feel Three Dimensional

    You have probably heard the phrase 3D pop, usually attached to a claim about some specific vintage lens. The actual term is micro contrast, and it is a real, definable thing. It is also one of the more genuinely misunderstood and marketing distorted ideas in photography right now.

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