A Photo Story: They Gas Us Because They’re Afraid
More than thirty metro stations were shut the morning RV crossed Paris for a camera meetup. She left the group walk, went back for a sign
Read More » A Photo Story: They Gas Us Because They’re Afraid
More than thirty metro stations were shut the morning RV crossed Paris for a camera meetup. She left the group walk, went
Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of
Flavia Silva walked the port district of Rio de Janeiro on a gray July Wednesday and came home with twelve pictures in
Bojan Fürst set out to profile seventy Newfoundlanders and Labradorians for the seventieth anniversary of the province joining Canada. He finished twenty
Ajay Lalu stopped at the Kaapse Klopse on his way home from a photo walk. Three years later, after earning his way
A retired rabbi turned street photographer stumbled onto a Brooklyn Chabad camp trip on a ferry to Governors Island. What he found
A girl bent over a mandala in the Kathmandu Valley, Nepal, 2012. Paul Hillerich on the frame he calls The Painter, what
Derrick Buckner went to photograph an abandoned phosphate mine, found the gate closed and a boat stranded on the road beside it,
David Mullin photographed the empty tables at his family favorite restaurant on a Leica M6, and the picture became his test of
Neil McShane made this photograph from a bench in his front garden in 2022, while recovering from sepsis with a Fuji X-T20
A figure appears in the mist at the Osaka Expo, caught on a Leica M3 loaded with Ilford Delta 3200. Jasper Bancroft
Mark Archibald had long kept a quarter mile gravel road in mind as a good sunset vantage point over an Amish farm
Paul Hillerich’s photography changed on a solo journey through Nepal, though he only understood why once he converted the frames to black
Dani Rüede bought his first serious camera to photograph his watch collection. A Ricoh GR III turned him into a street photographer,
Danny Wong grew up understanding his family through photo albums. Now he carries one camera and one lens, photographs mood rather than
Kayleigh Morin started as an artist frustrated that drawing could not capture light the way she wanted. Self portraits led to photographing
Leighton Phillips describes his work as Urban Still Life, drawn to the mundane, the ignored, and the visually familiar rather than anything
Flora van Wageningen picked up a camera in her late thirties, restless and bored with the city she had settled in, and
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Breaking the rules is the contrarian pose everyone reaches for, but the rules got to be rules by working. Bending one keeps the principle and pushes the letter further. Thirds become fifths, and symmetry stays put and gets interrupted.
A Long Shadow: Postwar Japan Through the Lens opens at the Met on Thursday and runs to May. Tōmatsu, Ishikawa, Ishiuchi and Tokiwa, drawn entirely from the museum’s own collection, with Okinawa and the base towns as the thread.
Every one of us is carrying something that has not come out of the bag in a year, and we all knew what it was before we finished the title. Here is why it is in there, what it is costing us, and the two questions that settle it.
High key and low key are not filters, and the exposure dial cannot produce either one. Both come from the light we go looking for, how much of the frame each tone is given, and which single thing we protect.
New to black and white? This is everything we wish someone had told us in the first month. Why the decision happens before the shutter, what to photograph while you learn, and the camera setting that shows you the picture in gray first.
Night rewards black and white more than any other light, and almost everything the camera does automatically is wrong about the dark. Five changes, starting with metering the light instead of the scene.
A girl bent over a mandala in the Kathmandu Valley, Nepal, 2012. Paul Hillerich on the frame he calls The Painter, what remains when color recedes, and why he believes a photograph begins when somebody else looks at it.
A 2026 study of five and a half million posts puts the half life of a social media post at about 18 hours, and a page on your own site at two years. The difference is not quality, it is architecture. Here is how to stock a longer shelf.