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  • Ansel Adams Was Fifty Five Years Late And Why It Matters

    Ansel Adams Was Fifty Five Years Late And Why It Matters

    Carleton Watkins photographed Yosemite in 1861. Ansel Adams arrived fifty five years later and nobody told him the valley had been done. Why it has been done is the laziest judgement in photography.

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  • The Collective Eye No. 9

    The Collective Eye No. 9

    Every week we feature one photograph from the Collective and invite honest feedback from the community. No names attached, no backstory beyond what the photographer was trying to achieve. Just the image, open for genuine critique.

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  • A Photo Story: The First City in the Americas

    A Photo Story: The First City in the Americas

    Adam Arenas went to Santo Domingo without a camera, came back with a Ricoh and a reason to return. His account of the Zona Colonial, in his own words, and why the old stone kept pulling him to black and white.

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  • Ask The Collective, Where the Answers Come From People

    Ask The Collective, Where the Answers Come From People

    A new page where you can ask anything about black and white photography. Every answer comes from a photographer, because the point is the conversation and not just the information. An answer to almost any photography question is a few keystrokes away. Type it into a search box and something will tell you, very confidently,…

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  • Twenty Eight Japanese Women Photographers Land in New York

    Twenty Eight Japanese Women Photographers Land in New York

    The International Center of Photography gives a touring survey of Japanese women photographers its first American showing, covering seventy years the exported canon left out.

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  • Liminal Photography, and Why It Works

    Liminal Photography, and Why It Works

    A corridor with nobody in it is not an empty photograph, it is a photograph of an absence. What liminal photography is, why it unsettles people, and how to make one in black and white.

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  • Sigma Built an f/2.8 Telephoto That Weighs 390 Grams

    Sigma Built an f/2.8 Telephoto That Weighs 390 Grams

    The 50-120mm F2.8 DC OS Contemporary gives crop sensor shooters a constant aperture telephoto at a third of the weight of the full frame equivalent.

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  • Getty Images Is Going Private Through Bankruptcy

    Getty Images Is Going Private Through Bankruptcy

    Getty has announced a prepackaged Chapter 11 and a $533 million rescue that wipes out its public shareholders. Contributors are told royalties continue as normal.

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  • Photography Is Carving, Not Painting

    Photography Is Carving, Not Painting

    A carver starts with a block that already contains every possible figure and removes what is not the one they want. A photographer in a busy scene has exactly the same job, and usually does it in the wrong order.

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  • The Print Is the Point

    The Print Is the Point

    A good black and white photograph printed well becomes a different object. What scale, light and surface do to an image, and a look at Fotoviva, a Worcestershire print collective now in its twentieth year. Readers get 10% off with the code EXCLUSIVE10.

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