Edward Boches was pulled into photography by John Filo's 1970 image of a woman kneeling over Jeffrey Miller at Kent State, the entire story of a moment held in a single frame. He has spent his career chasing that same rawness, documenting amateur boxers, oyster farmers, Boston's homeless community, and neighborhoods in transition, always in collaboration with his subjects. We asked him about the Yankee fan who flipped him off, then handed him twenty dollars, and why he still hunts for moments instead of waiting for them.

Andrew Griffiths has been photographing since he was four or five years old, carrying a bakelite Brownie camera through the Pennine hills long before his mother ever bothered loading it with film. He shoots the whole river catchment now, from moorland headwaters down to the crowded center of Manchester, almost always with a single fixed lens Leica Q and never a plan. We asked him about storytelling over single images, the darkroom he still misses, and the piece of advice he wishes someone had given him at the start.

Onni Laine found his direction in Japan in 2024 after years of shooting without a real purpose. What he found there was streets that feel slightly oppressive, slightly paranoia inducing, and a growing dissatisfaction with the silhouettes and clever reflections that street photography tends to reward too easily. He shoots ninety percent spontaneously with a Ricoh GRIII, and he is trying to push his work toward something with more documentary weight. We asked him about all of it.

Lori Naumes got into photography because of encouragement, not obsession, feedback on social media, family cheering her on, and a decision to buy a "real" camera and give it a shot. Now she photographs people, emotion, and the quiet stories between them, favoring a zoom lens precisely so she can observe rather than stage. We asked her about the shoot that didn't go as planned, editing on her phone, and the piece of advice she wishes someone had given her sooner.

Lee Griffith started developing film in a shed with duct taped light leaks and chemistry stored in bottles his mortician gave him. Decades and a near-death experience later, he still shoots ninety five percent spontaneously, rotates through Polaroids and Hasselblads depending on how his hand feels in the dry cabinet, and credits a small town yearbook printer for the high contrast look that still creeps into his black and white work. We asked him about all of it.

Steven Sosa has been at it long enough to know that the style you develop is not something you plan. It is something you discover through practice and persistence and the willingness to keep going even when the motivation is hard to find. He shoots street on a Fujifilm X-Pro 2, X100V, Ricoh GR3, and a brand new Leica M10P. We asked him about the journey, photographing New York City, and why the spontaneous shots are always the best ones.

Kevin Delajoud came to photography through architecture and urban spaces and has never really left. His work is built on geometry, negative space, and the particular kind of emptiness that says something true about how people move through cities without ever really seeing them. He shoots with a Canon R7, edits minimally in Photoshop, and has been taking his eldest son on photo walks since the boy was three years old. We asked him about all of it.

Stephen Uhraney has been photographing real life for over 40 years and he still does not feel like it is work. The Toronto based documentary and street photographer shoots film and digital side by side, embeds with firefighters and police marine units, and carries a Rolleiflex alongside his digital gear. We asked him about the box camera his grandfather brought from the old country, why black and white lets the truth breathe, and what he would tell his younger self.

Bettina Kardel came to photography during the pandemic and found her way to street photography almost immediately. Her work is minimalist, graphic, and built around the geometry of urban spaces. She shoots with prime lenses and a Leica Q3 Monochrom and is currently working on her first photo book. We asked her about all of it.