Focus is photography’s way of saying, “Look here.” Learn to guide attention and convey meaning through sharpness, blur, and depth of field.

Stop fighting the shadows and start using them. Chiaroscuro is the classic "light-dark" technique used by masters from Caravaggio to modern cinematographers. Learn how to use a single light source and spot metering to create dramatic, three-dimensional monochrome portraits.

We’re told that every photo needs a beginning, middle, and end. But what if that advice is actually holding you back? This week, I’m calling out the "Storytelling Lie" and explaining why the most powerful monochrome images aren't stories they’re visual poems.

Cinematography is the ultimate school for photographers. Learn how to use the FilmGrab archive to master lighting and composition to bring a cinematic edge to your still images.

Coming home with no good images feels like a failure but it is actually a sign of growth. Learn how to reframe your "zero days" as essential creative practice and why an empty memory card is better than a mediocre one.

Why do your "bad" photos get more love than your "perfect" ones? Explore the human psychology behind the paradox of preference and why relatability often beats technical mastery.

Stop shooting everything and start building a voice. Learn how a simple three word vision can clarify your artistic direction and simplify your editing process while making your work more memorable.

Black and white is more than just a lack of color. It is a world of temperature. Discover how shifting your monochrome photos toward cool or warm tones can completely change the emotional weight of your work. Learn why temperature is the secret weapon for any serious photographer.

Modern lenses are perfect but they can often feel cold. Today we explore the world of adapted lenses and why pairing vintage glass with a modern sensor is the ultimate secret for creating black and white images with soul and character.

We’re taught that every great photo needs a "subject," but what if the most powerful thing you can do is leave the seat empty? Today I'm breaking down the difference between the objects we see and the subjects we feel and why some of my favorite photos are the ones where the audience gets to decide the ending.