Are you creating your own visual music or just playing the hits of the masters? We explore the cover band analogy in photography and how to use copying as a training tool without losing your own voice.

Most of us use social media as a digital pacifier, mindlessly scrolling through a blur of images. But for a photographer, the Doom Scroll is a missed opportunity. Today, we discuss a better way to use your phone to actually improve your eye.

In an era of AI and heavy compositing the definition of photography is blurring. This week we ask the hard question: At what point does an image stop being a photograph and become something else?

The world's defining photos of the year are out, and the number of black and white images is jarringly low: 5 out of 100. When color is used as the primary language of truth in photojournalism, what does it mean for us?

We live in a world screaming in high definition color. Every screen is a cacophony of hues fighting for your attention. But what happens when you silence that volume?

Are you stuck in a creative rut with your black and white photography? Discover how the "hamster wheel" metaphor perfectly describes creative stagnation, and learn practical strategies to build forward momentum into your monochrome work.

Imagine being a photographer and your husband is Henri Cartier Bresson. Most of us would probably put the camera down and walk away. Martine Franck didn’t. In today’s Monochrome Minute, we look at how she carved out her own legendary status in the shadow of a giant, and what her "friendly gaze" can teach us about empathy in black and white.

A photograph is a film in a single frame. Every great composition balances two fundamental elements: the grand setting and the narrative subject. This post will show you how to stop capturing empty scenes and start directing cinematic, story driven photographs simply by shifting your mindset, not staging a shot.

We live in a world built for consumption. Tutorials, reviews, reels, and endless inspiration are always one swipe away. But if you want to grow as a photographer, consuming more than you create becomes a trap. Real progress happens when you put the camera in your hands, not when you watch someone else use theirs.