• A PHOTO STORY: WHILE I'M WORKING

    Every working photographer has a hard drive full of images that did not fit the brief. Ben Lumley decided to do something about it. Photos While I'm Working is the series he built from a decade of moments nobody commissioned and nobody asked for. It might be his most honest work.

    Photographs by Ben Lumley

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  • CUBA 25 YEARS AGO

    Twenty five years ago, Eduardo Cerda Sanchez boarded a plane to Cuba. He was not going as a photographer with a project. He was going as a student, with a camera, three months, and no agenda. Cuba, it turns out, does not need a photographer with a project. It just needs one willing to show up.

    Photographs by Eduardo Cerda Sanchez

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  • THE ISLAND THAT TAUGHT ME TO SEE PEOPLE

    David Clark retired three years ago and bought his first serious camera. Since then he has been making up for lost time. A week in Havana on a portrait workshop led by legendary photographer Peter Turnley changed how he thinks about photographing people.

    Photographs by David Clark

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  • INTO THE COLD

    For over a century, Milwaukeeans have started their new year the hard way. André Saint Louis has spent the last four years documenting the chaos, the cold, and the characters who keep coming back.

    Photographs by André Saint Louis

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The Infinite Game
Originals The Monochrome Collective Originals The Monochrome Collective

The Infinite Game

What if the goal of photography isn't to "win," but to simply keep the play alive? Today, we compare the craft of monochrome to the "Infinite Game" of surfing. From the unpredictability of the elements to the beauty of the "wipeout," we explore why the best part of being a photographer is knowing that the journey never actually ends.

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Breaking the Ice with Strangers
Originals The Monochrome Collective Originals The Monochrome Collective

Breaking the Ice with Strangers

Walking up to a stranger is often the hardest part of the craft. But the secret to a great street portrait isn't in your shutter speed it's in the first thirty seconds of conversation. Here’s how to get past the "creep factor" and start seeing people as individuals, not just subjects.

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Is the Watermark Killing Your Photography?
Originals The Monochrome Collective Originals The Monochrome Collective

Is the Watermark Killing Your Photography?

In 2026, the watermark is a false sense of security that is doing more harm to your art than good. If you can remove a logo in three taps with AI, why are we still scarring our compositions? Today, we’re looking at why the most confident photographers are ditching the logo and using three invisible strategies to protect their work instead.

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A Reminder Why We Choose Monochrome
Originals The Monochrome Collective Originals The Monochrome Collective

A Reminder Why We Choose Monochrome

When the rest of the world goes loud and colorful, the most striking thing you can do is go quiet and monochrome. This week, we look at the stunning Super Bowl campaign shot on Kodak 35mm film, and what it teaches us about tonal structure, intentional framing, and the power of black and white to cut through the digital noise.

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Mastering Ma 間
Originals The Monochrome Collective Originals The Monochrome Collective

Mastering Ma 間

Great photography isn't just about what you include it's about what you leave out. We explore the Japanese concept of Ma and how embracing the "space between" can give your monochrome images room to breathe and a deeper sense of purpose.

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